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Released
In April 1994, the middle-aged Canadian journalist Bernard Valcourt is making a documentary in Kigali about AIDS. He secretly falls in love for the Tutsi waitress of his hotel Gentille, who is younger than him, in a period of violent racial conflicts. When the genocide of the Tutsis by the Hutus in Rwanda begins, Bernard does not succeed in escaping with Gentille to Canada. When the genocide finishes in July 1994, Bernard returns to the chaotic Kigali seeking out Gentille in the middle of destruction and dead bodies.
A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.
An animated road-movie set across the vast and barren landscape of Australia's Nullarbor Plain.
Valdis Nulle is a young and ambitious captain of fishing ship 'Dzintars'. He has his views on fishing methods but the sea makes its own rules. Kolkhoz authorities are forced to include dubious characters in his crew, for example, former captain Bauze and silent alcoholic Juhans. The young captain lacks experience in working with so many fishermen on board. Unexpectedly, pretty engineer Sabīne is ordered to test a new construction fishing net on Nulle's ship and 'production conflict' between her and the captain arises...
Balanced on the edge of what is visible, everything comes from nothingness and returns to nothingness. Strands of consciousness trying to convene with each other. Forms of personal significance in a time of crisis, set free into random motion through chance operations. Recurring details point towards a center.
A woman investigates when her teenage son is arrested for his married lover's murder.
An unknown girl breaks out of her daily grind by undergoing an intense audio-visual trip.
A woman living in main street goes to school in a rich environment, but she is full of loneliness. One day she saw a cloud and decided to go to Sinchon Station, so she met a new man. Her little lie started the meeting between the two.
No overview available.
Jessie and her friends go deep underground to find out what happened to her father who claimed a monster lurks in the caves and has killed his friends. Wanting to uncover the truth, they will soon be hunted by a deadly creature from another world.
Masha and Valya, vegetarians and abstainers, invite their former friends Natasha and Sergey over. Natasha and Sergey took a mortgage, they are planning a child. Natasha tries to persuade Masha to throw a wedding party, nevertheless she hints at Valya being no good for Masha. Masha in reply tells Natasha that her husband Sergey drinks vodka on the quite. Natasha makes a scene to Sergey. Masha tries to reconcile friends and convince them of their relationship being cracked. The guests are leaving. Valya blames Masha for climbing out of her business. Masha and Valya have a quarrel. Masha remains alone.
A brief, poetic 16mm film on a simple sculptural action. What becomes apparent is the humor possible in material interactions and the tender and sometimes melodramatic symbolism of cut flowers. What begins as a reverence for natural beauty ends up pointing towards the abstract expressionism and color field work of high modernism which, in many cases eschewed the banality of such 'natural' beauty. The collaged soundtrack suggests weightier concerns, gently insistent behind the flatness of the utilitarian sounds of ripping tape.
