Documentary about refugees from Western Sahara living in Algeria.
EN
Released
The political upheaval in North Africa is responsibility of the Western powers —especially of the United States and France— due to the exercise of a foreign policy based on practical and economic interests instead of ethical and theoretical principles, essential for their international politic strategies, which have generated a great instability that causes chaos and violence, as occurs in Western Sahara, the last African colony according to the UN, a region on the brink of war.
Straddling a 2,400-kilometer-long wall constructed by the Moroccan army, the Western Sahara is today divided into two sections — one occupied by Morocco, the other under the control of the Sahrawi National Liberation Movement’s Polisario Front. Drawing from stories of flight, exile, interminable waiting and the arrested, persecuted lives on both sides of that wall, this film bears witness to the Sahrawi people, their land, their entrapment in other people’s dreams. In an esthetic that sublimates the real, Lost Land resonates like a score that juxtaposes sonorous landscapes, black-and-white portraits and nomadic poetics.
Filled with vitality, humor and unexpected situations, Hamada paints an unusual portrait of a group of young friends living in a refugee camp in the middle of nowhere. Western Sahara is known as “the last colony in Africa” and this conflict is the longest and one of the least known ongoing disputes in the continent, but the Sahrawi people refuse to become invisible.
Lalia is a Saharaui girl who lives in a refugee camp in Algiers. She has only heard her grandmother and grandfather talk about her country, about the Sahara, that was taken away by Morroco. She dreams of one day seeing the ocean, seeing her real country. The reality she lives in is different... the uncertainty of the refugee camps, the political unbalance... but she is strong... and she knows that there can be change... she won't stop dreaming, and she won't stop longing..
Documentary about the arduous early years of the Sahrawi cause (1977)
A documentary about the daily lives, hopes, aspirations and demands of though living in the Sahrawi refugee camps of Dajla.
The Saharawi women face the thirst of the hamada, the curse of the desert, every day. They’ve built their refuge in a land where no one could survive before. For more than forty years they’ve been holding out and taking care of their people there. They ensure every drop of water is distributed according to the needs of each family … and they wait. But there’s an even more terrible thirst in their throats, for which they find no relief.
This film offers a picture of the tense situation in which the Sahrawi people have lived for more than 30 years. The yearly celebration of a marathon in the Sahrawi refugee camps serves as the central focus of the story.
After the military occupation of Western Sahara in 1976, Moroccan government attacked the civil population with hard repression, forcing hundreds of Saharan people to “disappear” in clandestine jails. An invisible and slow death was the only horizon. However, some prisoners were able to survive after suffering their own “extinction” for more tan 10 years, ripped from their families, suffering torture, in total isolation. When they finally were released, their known world had changed radically.
Atu is a 12-year-old Saharawi girl who comes to Valencia every summer to escape the suffocating desert summer in exile. Two opposing worlds between a conflict that has driven hundreds of thousands of people away from Western Sahara forcing them to live in southwestern Algeria. At her young age, with little resources and no homeland, she courageously faces the future.
Education Center for disabled children located in the Sahrawi refugee camps in Algeria. Despite the precarious conditions in which this population lives since 40 years ago, the Polisario Front as the representative of the Sahrawi people has promoted inclusion as a way to avoid marginalization and discrimination of one of the most vulnerable populations within these territories: children with special needs. "Castro" is the man who devotes his life to this beautiful project fighting all odds: physical, psychic, social, economic, and even the incomprehensions of his own society. The Sahrawis are living (resisting) in one of the harshest deserts on Earth but Castro has the magic formula to achieve the inclusion of these wonderful beings in his society and in the rest of the world: MUSAWAT, EQUALITY.
The rocks, sculpted by sea and wind, stand resilient, displaying the scars of the fragments torn away. From that beach, a young Sahrawi embarks on a mental journey to his last visit to the camps. The places, the rituals, the history, and the time make his voice merge with the memories of his mother's stories, showing a deep contrast between the situation in the recent past and the present.
